Part 2 Profession Seamstress
The sewing machine was invented in 1846 but was not used widely
until 1860. Wealthy families or families of means would hire a seamstress or
find servants that could sew. This was an invaluable skill for most households
and it allowed Free Women of Color the opportunity to support themselves but on
the negative side it made slaves with these skills more valuable. Be sure to
read the famous story of slave and seamstress Oney Judge that was owned by
George Washington who escaped to freedom. http://en.wikipedia.org/wiki/Oney_Judge
Even with the advent
of the sewing machine ready-to-wear clothes did not make a huge impact on
American society until sometime between the 1870s and 1900s. By 1910 women
could purchase a complete ready-to-wear wardrobe. Once companies established
large factories with modern machinery and efficient production practices,
consumer demand for cheaper clothes rose. New York City alone produced more than
40 percent of all ready-to-wear clothes during this time. http://historywired.si.edu/detail.cfm?ID=325
The average wage for a seamstress during the 1800s was $16 a
week but some made much lower depending on her employer. Many of these women
were skilled in crafts that are lost to us today. All fabrics were natural. There was no
polyester, spandex, elastic or vinyl. The most commonly used fabrics were
cotton, linen, and wool. Silk was available, but very expensive. There were no
zippers, snaps, safety pins or Velcro, and buttons were mostly for decoration.
Hooks, straight pins and laces were the most common fastenings.
In the 1880s and into the 1900s,
fashion dictated that a woman’s body be tightly corseted and that her gowns–as
dresses were made to be tightly fitted over the corsets. Ready-made dresses
could not provide the perfect fit, so women who aspired to be among the most
fashionable and who could afford it still sought the services of custom
dressmakers. The complexity of draping adding elaborate trim and ornaments to
make these fashionable dresses also required the expertise of professional
seamstresses. Project Runaway participants could have never compared to the
skills of these women! Remember there were no ready made patterns either
everything was done from scratch.
Many of the women in our family
supported themselves and passed down the craft of sewing. Katherine Broyle (Rainey) was a slave in the
Rainey household. Not only was she skilled in sewing and but she passed on
the craft to her daughters Mollie, Kate “Sissy”, Willie, Jessie, and Annie
Claude. Mollie took up the craft and made her living as a seamstress. She even was hired to travel to Boston
sometime in 1900s to work for the Scarritt family. I am still researching the
connection. Mollie in turn taught her
daughter’s (Ella, Leo, Ione, Wille, Annie Laura) the craft. My grandmother Annie Laura Bell Steele
supported her family as a seamstress. I
have several items that my grandmother made and did not understand how
priceless they were until I became an adult.
A great story comes from our cousin Geri (Bell) as a young girl; she
attended a dance decked out in a taffeta dress made by Annie Laura. She said several people asked her; did you
buy that dress in New York City? She smiled
and never told them it was hand made (expertly) by Annie Laura who made many of
their clothes and all of her children’s clothes. Our cousin Kathy told me, that Aunt Leo (Bell
Steele) was also an expert seamstress and made all of the clothes, curtains and
other household items. Here is a
pastel of Annie Laura sewing that was done by the artist May Asbury Jones in
1950. It sold at auction in 2012. I
missed purchasing it by two weeks.
On the Steele side of the family we have Sarah “Sallie” Keen
listed on the 1860 census as a seamstress. She is even listed as owning
property. Once William Steele passed
away in 1859 Sallie supported her 5 children (Charlie, Frank, Augustus, William,
and Addie) by William and Emma (father unknown) by sewing.
Please share your stories and photos of the seamstress in
your family. It is fortunate that we have stories and photos to share with each
other. It is because of these very strong
and determined women that food was kept on the table and a roof over their family’s
head.
These are photos of
some of my grandmother’s handiwork.
This was my father’s (Warren
Bell Steele) quilt as a child. It is made of scrap material that Big Mama
collected from other projects she was working on. Of course I thought it would
be cool to sleep with it as a teenager so it is torn. The underside is made from used flour sacks.
This quilt was saved
by my mother from Big Mama’s house in Milledgeville on Liberty Street. It is much
better shape. Beautifully done again with scrap material.
This is a tablecloth
that was done by Big Mama. All hand sewn applique with embroidered lace
repeated through out the tablecloth
And of course the
essential tool of the 1800’s to finish any project. I got this off of Big
Mama’s back porch on Liberty Street. She had several.
Here is a great link
on how to store your old quilts!
Family Research
Continued
In continuing my research on the Steele and the Bell’s I
came across this article. It appears that Jane Mitchell was mislabeled as Julia
Mitchell. The interesting thing is it
does list her as a former slave of David Byrdie Mitchell. I now have another
clue as to where she may have come from and at what date she may have earned
her freedom. David Mitchell came from
Scotland and landed in Savannah, GA because he inherited property from his
uncle. We know in 1842 she is listed with John J. Mitchell (her agent verifying
her FPOC status) and her daughter Jane Mitchell (age 22) as owning
property. So some time prior to 1842 she
earned her freedom, although I do not have her listed on the 1850 census as a
FPOC.
Baldwin
County GaArchives News.....Julia Mitchell June 17 1887
************************************************ Copyright. All rights reserved.
http://www.usgwarchives.net/copyright.htm http://www.usgwarchives.net/ga/gafiles.htm
************************************************ File contributed for use in USGenWeb Archives
by: Carla Miles http://www.genrecords.net/emailregistry/vols/00010.html#0002476
October 15, 2004, 11:31 pm
The Marion County Patriot The Marion County
Patriot, No. 24 June 17, 1887 Page Eight State News Items
Milledgeville
claims the oldest woman in Georgia.
Julia Mitchell, an old negro
resident of that city, is one hundred and twenty years old, and in apparent good health.
She was one of Governor Mitchell’s slaves years ago and says she remembers the revolutionary war distinctly. She has been blind now for several years, but her memory of the long ago makes
up an interesting conversation. File
at: http://files.usgwarchives.net/ga/baldwin/newspapers/nw1585juliamit.txt This file has been created by a form at
http://www.poppet.org/gafiles/ File
size: 1.1 Kb
The Reid Connection
I had my DNA test done a couple of years
ago and today I had a man reach out to me that was managing his cousin’s
account. Our DNA match on her maternal side;
which included Andrew and Agnes Reid.
They are the great great grandparents of David Henry Reid who was the
father of Mary Louise “Mollie” Reid Bell.
So it is confirmed now by DNA test.
I have the Reid’s traced back to the late 1600’s from Ulster, Ireland.
Hope everyone is well. Here is the link to the blog site if you want
to read past newsletters. http://www.steelebell.blogspot.com/
Happy in research! Theresa
Great job, as usual Theresa. My grandmother, Belle Powell Steele, certainly didn't acquire the sewing trait. She could sew but she absolutely hated to do it. Subsequently, my mother never learned. My grandmother found it so odd when I decided to take sewing lessons years ago.
ReplyDeleteYou can now pass on the lessons to your daughter! I wish I could sew better. I was more of an observer! T
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